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The Corporate Battle For the Cable News Network Reveals How Broken American Journalism Now Is.

On Thursday evening, as rumors swirled concerning the Brown University gunman, the network's Kaitlan Collins used social media, highlighting the uncertainty and directing people to her channel's 9pm newscast.

While the network is hardly a flawless news source, her message seemed accurate to many. It remains one of the outlets where you can find reality-based and mostly reliable reporting – particularly during crises like the one developing in the vicinity of a New Hampshire storage facility.

An Uncertain Situation Amid a High-Stakes Tug-of-War

However CNN, now middle-aged, finds itself in a vulnerable state as two giant media corporations battle over ownership of its corporate owner, Warner Bros Discovery.

Regardless of who wins, the fate of CNN has turned into a high-stakes game of mergers and acquisitions, instead of as a question of what benefits the information-seeking public.

“This represents another instance of the profound systemic issues with roots in decades of governmental choices,” stated Victor Pickard, author of “Democracy Without Journalism?” and a professor of media policy at the University of Pennsylvania.

The debate about the future owner of Warner Bros Discovery – is it going to be Netflix or Paramount Skydance? – misses a more important point.

“The narrative is crafted as a financial tale with powerful individuals as the protagonists, but there is hardly any discussion of the common good,” Pickard added.

The Additional Layer: Political Influence

The CNN scenario is further muddied by Donald Trump’s opinions about a network he has frequently denounced as perhaps his chief “fake news” foe.

Recall the chants of “CNN sucks!” at Trump's rallies, his administration's retaliatory suspension of reporter Jim Acosta’s press credentials, or his clashes with Collins in White House briefings.

Trump now claims that CNN needs new ownership. You can read that as ownership that will insulate him from criticism and scrutiny. That is a factor in why he appears to support Paramount Skydance, which has made a unsolicited offer.

Trump has reason to prefer that suitor more. For one thing, it is run by David Ellison, son of the ally of Trump Larry Ellison, one of the world’s richest people.

The company, parent of CBS News, also recently appointed the conservative Bari Weiss, noted for her “anti-woke” beliefs, as the lead editor of that venerable news network.

A Future of More Uncertainty

It is important to note, if Netflix wins, CNN and other cable outlets would first be separated into a standalone company. Such a move could be a relief to many at the network, but it’s hardly a guarantee of stability. That structure could pave the way for CNN for a future sale. There is no finish line.

In the view of Timothy Wu, a great deal of this is illegal, anyway. The influential voice of big tech’s dominance wrote recently that competition laws should prohibit both deals.

“Either merger would be detrimental to the country, and both should be opposed by regulators,” Wu argued.

The Bigger Issue and a Path Forward

Regardless of the resolution with this particular battle, the larger issue endures.

“Our current system is a profoundly system hostile to democracy, but we ought not succumb to a sense of powerlessness,” Pickard said. Policy decisions – originating in the 1930s and 1940s – helped to foster this hyper-commercialized monster, and revised policy decisions can fix it.

Will that happen in an era where the top communications regulator will not confirm that the agency is independent? Reform is a distant prospect now, but that should not imply it will be impossible forever.

Measures that support independent news organizations, aid local journalism, finance public media, and prohibit the consolidation of media power in too few hands are within reach – they are necessary for a robust democracy.

When it comes to media ownership, size does not equal quality. And news organizations such as CNN must not be pieces in the newest corporate chess match.

Written by

Chelsea Ortega

Award-winning film critic with over a decade of experience covering international cinema and festival circuits.

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